Saturday, 17 November 2012
There are many characters in my IRB, a collection of Ray Bradbury's most celebrated short stories. The one I have chosen to see how Bradbury developed him is Sir Robert Merriweather, from The Finnegan. The Finnegan is about a murder mystery in which three young children were discovered after having been drained of all of their fluids. There are three characters in this story: the narrator, Sir Robert Merriweather, and the Finnegan, the culprit behind the murders. Sir Robert Merriweather is introduced as a modest man who is apparently a very observant old man, comparable to Sherlock Holmes. He is also obsessed with doors, as it is described there being anywhere from a hundred and twelve to a hundred and twenty doors in his house. He is described as an avid collector as well, having not used one in nine of his doors after having shipped them from all over the world. He had doors from America, Rio, Paris, Rome, and even Tokyo. He is proud of his collection too, because he sets them up, hinged, in the walls so they can be seen from both sides and conducting tours of them for anyone who wished. He is also shown to be a thinker who likes to think outside of the box, in that he after analyzing the facts, states that the police were anthropomorphic about the killer, thinking him a human. Merriweather, on the other hand, states that the killer is in fact a giant spider, which he has dubbed Finnegan. Bradbury has so far set up Merriweather to be brilliant, but eccentric as he decides to go out for a picnic and drags the narrator along, stating that a secondary purpose was to show the author his hypothesis. Merriweather is also very accepting of the outlandish, as he does not see any problem with the idea of a giant, man-eating spider. In the end, he also shown to have a rather pragmatic side, as he wishes to see Finnegan before he dies. He knows that even if Finnegan does not kill him, cancer will, so he drinks poison and uses himself as bait for Finnegan, both to satisfy his curiosity and to kill the giant spider.
Tuesday, 30 October 2012
The things that I carry tell a lot about me, both by what they are and what they imply. The multitude of pens that I have shows that I like to prepare excessively for things, while the planner and the schedule shows that I like to plan events out in advance. The laptop indicates that I really like technology, while the old school wallet and phone show that I don't care about what I use as long as it gets the job done, because as long as the wallet can still hold money and my phone still works, they will suffice. This is supported by the lack of an iPhone, because my old phone is currently working fine. It also implies that I do not care about what is popular. Lastly, the book at the top-left corner shows that I love to read, as evidenced by how thick it is.
Tuesday, 9 October 2012
Blog Entry 5
The
topic of guilt and forgiveness is a major theme in Angela’s Ashes, a memoir by
Frank McCourt, and is present in large amounts in the author’s life. Frank has
to deal with a large amount of guilt and requests for forgiveness in his
childhood, especially later near the end where he reaches puberty. A consistent
recurring event that happens throughout the book is his father’s alcoholism,
during which he constantly states that he will get a job and often does, but
loses it after a week. His father’s feelings about this are never shown,
however he does not seem to regret his actions or feel any guilt about drinking
away his money. He appears to be deft at deflecting accusations, such as during
his exchange with a man to get money from the IRA.
“Oh, it’s the drink you want, is it?”
“One pint is hardly drink”
“You’d walk the miles back and make the
boy walk because you want a pint, wouldn’t you?”
“Walking never killed anyone” (McCourt, pg 52)
“Walking never killed anyone” (McCourt, pg 52)
As
shown here, his father would put himself and his son through a great deal of
physical and emotional turmoil for the sake of drink, but he never seems to
feel the slightest regret about it. However, the topic of guilt and forgiveness
really comes into play later on, during which he steals, lies, and to use the
term in the book, ‘interferes’ with himself. He continuously goes to confessions
out of guilt and worry at his inability to control his impulses, and later on he
enters a sexual relationship with a much older woman named Theresa. Both of
them cry whenever they make love, mainly because of all of the conflicting
emotions inside them such as guilt and happiness. This, along with other
events, eventually caused him to start crying and get noticed by a priest named
Father Gregory. He confesses everything to Gregory, and the Father responds by
telling him that since God has forgiven Frank, he needs to now forgive himself.
Thus, McCourt incorporated the topic of forgiveness and guilt into this memoir
by consistently describing how he felt after doing something, and all that
provided context for his breakdown near Father Gregory. This is why the major
topic in this novel is the one of guilt and forgiveness, because one of the
major climaxes in the story is born out of the desire for forgiveness and the
emphasis placed on the things that made the author feel guilty throughout the
book.
Friday, 28 September 2012
Blog Entry 4
There is sneering here. There is
jeering at the misfortunes of others. Is there anyone in this class that thinks
he’s perfect? Raise your hands.
There are no hands.
Is there anyone in this class that
comes from a rich family with money galore to spend on shoes? Raise your hands.
There are no hands.
He says, There are boys here who
have to mend their shoes whatever way they can. There are boys in this class
with no shoes at all. It’s not their fault and it’s no shame. Our Lord had no
shoes. He died shoeless.
It’s a shock to everyone when he says,
the Battle of Kinsale in sixteen nought one was the saddest moment in Irish
history, a close battle with cruelty and atrocities on both sides.
Cruelty on both sides? The Irish
side? How could that be? All the other masters told us the Irish always fought
nobly, they always fought the fair fight. He recites and makes us remember,
They
went forth to battle, but they always fell,
Their
eyes were fixed above the sullen shields.
Nobly
they fought and bravely, but not well,
And
sank heart-wounded by a subtle spell.
If they lost it was because of
traitors and informers. But I want to know about these Irish atrocities.
Sir, did the Irish commit
atrocities at the Battle of Kinsale?
They did indeed. It is recorded
that they killed prisoners but they were no better nor worse than the English.
I think my father is like the Holy
Trinity with three people in him, the one in the morning with the paper, the
one at night with the stories and prayers, and then the one who does the bad
thing and comes home with the smell of whiskey and wants us to die for Ireland.
Tuesday, 18 September 2012
Blog Entry 3
I am not convinced of Samantha Rau’s
statement at the end of the memoir that states that Santha did not really care
about Cynthia because of the different name, despite them being the same
person. The author chose the title “By Any Other Name”, which is a reference to
Shakespeare’s Romeo and Juliet in which Juliet says “A rose by any other name would
smell as sweet”. The quote states that even if the name of something is
changed, the owner of that name will still be the same with all the same
memories, mannerisms, and physical appearance back when he still had his
original name. In the story, ‘Cynthia’ is just another name for Santha, and it
is stated that Santha remembers and see’s everything that Cynthia did. Also, it
is implied that she took on the persona of ‘Cynthia’ for the duration of her
school time. If that had been the case, and she had not been actively paying
attention with all of her effort, she would not have remembered everything in
such great detail. She can remember her teachers face down to how her glasses
looked like, as well as give an approximation of how many people there were in
the school and what it had looked like. She states that she cannot remember the
proceedings in class very well, however in the next few paragraphs she begins
to describe what she did during her first day, i.e. daydream and stare at a
lizard hanging on the wall because she already knew pretty much everything the
teacher was talking about. This alongside other details she remembered all adds
up to the fact that, even if she was not particularly interested in Cynthia,
she would still remember all of the events that happened because Santha watched
them through ‘Cynthia’, and thus her own, eyes.
Wednesday, 12 September 2012
Blog Entry 2
I believe that the actual quality
of the thing does not change if it is given a new name. A name is just a label
given to an object to try and describe it; it doesn’t actually change what the
object is. Even if someone who has a name like Awesome McCoolname gets his name
changed to Loser McFailname, he will still have the same mannerisms and
appearance as before. The only thing that could change him would be how people
treated him and viewed him after, but the name itself would not have been the
thing changing him. It’s the same with abstract concepts and things like
numbers, because something like “two and two make four” will always be true,
even if you decide to rename four as “five”. So, the name itself is just a
label to put on something, and it can be changed like any other label, but the
actual subject will remain exactly the same. So, I agree with Shakespeare in
that a name is ineffectual in that it has no effect on the thing it is naming.
In his quote “A rose by any other name”, Juliet talks about Romeo and that,
even if he changes his name due to him being from the opposing family, he will
still be the same. Despite the fact that because of his name, Romeo’s character
and life changes drastically in that his love for Juliet ends with both of them
dead, the name itself did nothing. Why all of those events happened is because
of the way people viewed that name and how they treated people with it. So,
while the name indirectly caused all of these events and names have been the
root cause of many other events in the past, the names itself did not actually
do anything.
Thursday, 6 September 2012
Blog Entry 1
The book I am reading for my IRB is called Angela’s
Ashes by Frank McCourt. Currently I am about 1/6 done of the book, and a lot
has happened. The names of the author’s parents are Angela and Malachy. Malachy
is a drunk who has done jail time and is an Irish patriot, while Angela is an
immigrant. They had what was originally supposed to be a one-night stand, but
Angela got pregnant and her married relatives forced Malachy into a marriage
with Angela. He tried to run out, but was caught. Their relationship was rocky,
with alternating period of good and bad narrated by the young author. It
alternated so that, whenever Malachy got a job, things would be steady for
about 1-2 weeks and Angela would be happy, but then he would start drinking at
around week 3 and she would start shouting at him. Most of the other events are
things that the author remembers, but so far there have been 3 deaths in the
family. These are Oliver and Eugene, who were twins, and their daughter
Margaret. They all die to some unknown illness, but Margaret’s death hit
Malachy the hardest. He began to drink after she died; because once she was
born he became enamored with her and stopped drinking. So far I am very
interested in the story and I want to know what happens next, and whether
Malachy and Angela’s relationship will end. This is because I am curious as to
the authors eventual fate with his parents, and whether or not his only
remaining brother, Malachy, will die. Angela had for some reason decided to
name him after his father. I want to know about the fate of the family, as well
as how the author managed to get out of his current living standards.
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